Comparative Musical Frameworks: Vocal Techniques and Terminologies in Hindustani And Western Classical Music Traditions
Keywords:
musical framework,, western classical music, , hindustani classical music, artistsAbstract
Background Music is widely known as universal a form of expression according to scholars beyond any cultural, linguistic, geographical and other boundaries. Although Similar to belief system diversified in the given forms, music exists in the multiple traditions and reflects shared human core, devotional and spiritual aspects. Music helps in facilitating and evoking emotional connection amongst people from diverse and different cultures.
Purpose: The following research reflects the perspective of a Hindustani musician, rooted with its cultural foundation, while also being inspired by other traditions and global music practices.
Methods: This research Analyses the key elements of a musical interaction evaluating Hindustani and western musical traditions by a comparative framework.
Results: Tracking down ancient times and modern era, the differences between the musical traditions highlight their socio- cultural context and theoretical development. Exploring fundamentals and bonding of Hindustani classical music with Western musical terminologies, finding comparisons, differences, similarities and discovering the vocal techniques.
Conclusions: Although music is expressed through different cultures and languages, this research conveys that it also remains the same medium for connection. While also exploring the evolution of historical music, terminologies and various vocal techniques of Hindustani, Western and Fusion music, this research highlights key artists who played a vital role in bridging classical music with western influences.
Downloads
References
Rao-de Haas, S. (2022). Shastra. Sangeet4All.
Beck, G. L. (2010). Sacred Sound: Experiencing music in world religions (1st ed.).
More, S., & Anuradha, G.B.V. (2013). Origin and development of Indian Music in the early period: A bird’s eye view. Sangeet Galaxy, 2(3) [9,10].
Clements, C. (2026). Introduction to the Study of Indian Music. Dev Publishers & Distributors.
Das, J (2011). Comparative study of fundamental aspects of Indian and Western music theory. Indian Streams Research Journal, 1(1) [5].
Rayacaudhuri, V. (2000). The dictionary of Hindustani classical music.
Pratyush. (2010). Analysis and classification of ornaments in North Indian (Hindustani) classical music (Master’s thesis, Universitat Pompeu Fabra, Barcelona) http://www.mtg.upf.edu/static/media/Pratyush-Master-Thesis-2010.pdf.
Guerrero, R. (2015). The role of the Beatles in popularizing Indian music and culture in the West. The Owl The Florida State University Undergraduate Research Journal(5) [34,35].
Vedabala, S. (2025). Cultural hybridity in Indian music: Blending tradition and innovation. Sangeet Gal-axy, (14) [259,260].
Bhandari, S. (2024). Tribute to tabla legend Zakir Hussian . ShodhKosh Journal of Visual and Performing Arts, 5(2) [950,951]
Goswamy, S. (2019). North Indian classical music and the West: The journey from the Realm of multicultural to transcultural. postScriptum, 4 [17,18].
Downloads
Published
License
Copyright (c) 2026 Lavanya Gosain, Parul Purohit Vats (Author)

This work is licensed under a Creative Commons Attribution 4.0 International License.
Articles in the Green lifestyle and International Market (GLIM) by Vyom Hans Publications are published and licensed under a Creative Commons Attribution- CC-BY 4.0 International License.